Are Consonants Causing Tension in Your Singing? How to Fix It.

by | Jun 21, 2025 | Vocal Technique for Singers

f you’re feeling tightness or strain while singing, you’re not alone. One of the most common — and sneakiest — causes of vocal tension is how you handle consonants.

Here’s a quick check:
Sing your song on a single sustained vowel (like “ah” or “oo”).
If your voice suddenly feels freer and easier, the problem may not be your pitch or breath — it might be the consonants.

This guide will help you spot the signs, understand what’s going wrong, and fix it gently and effectively.


Why Consonants Matter

Consonants help deliver emotion, attitude, and clarity — but if overdone, they can:

  • Block airflow
  • Kill resonance
  • Create muscular tension
  • Interrupt your vocal line
  • Cause throat tightening
  • Lead to overworking and strain

Common Consonant Problems

Here are the typical patterns that create tension:

  • Punching consonants too hard (especially K, P, T)
  • Squeezing the throat to emphasise words
  • Jaw clenching to “sound tough”
  • Harsh, glottal onsets from heavy articulation
  • Losing airflow around consonants
  • Over-articulation that becomes muscular effort

What You Actually Want

You want:

  • Emotion without clench
  • Clarity without over-effort
  • Punch without blocking flow

This comes from:

  • Forward, light articulation (mostly lips and tongue)
  • Continuous airflow under consonants
  • Quick tongue action instead of pressure
  • Crisp, released consonants
  • Thinking energy, not force

What Helps

1. Speak → Sing

Speak phrases slowly on pitch before singing them.
This helps you find clarity without tension.

2. Maintain Resonance Line

Don’t lose the “buzz” as you move through consonants.

3. Substitute Consonants (temporarily)

Use:

  • Bubbles / lip trills
  • “Mmmm” hums
  • NG sounds

These keep airflow connected while you practise.

4. Reduce Jaw/Tongue Tension

Try:

  • Floppy jaw singing
  • Tongue-out singing
  • A bone prop
  • Hands gently on the jaw muscles to relax them

5. Explore Different Onsets

Play with gentle onsets to avoid grabbing the sound.

6. Silent Mouthing + Airflow

Mouth the phrase silently while keeping airflow going.
Then add sound with the same freedom.

7. “Gobble-de-gook” Drills

Try:
“Ta-da-za-la-ka” on pitch.
This helps coordinate multiple consonant positions without stopping airflow.


Consonants to Watch + Helpful Substitutions

Voiceless consonants often interrupt resonance.
Temporarily swap them for voiced versions to keep vibration going:

  • T → D
  • P → B
  • K → G
  • S → Z
  • F → V
  • SH → ZH (like the sound in “measure”)

Once the phrase feels free, you can bring back the original consonants.


False Vowels

Some consonants secretly start with vowel-like sounds (semi-vowels).
These help keep airflow flowing if you lean into them.

Examples:

  • W begins with an “oo” shape → “oo-when”
  • Y begins with an “ee” shape → “ee-yes”
  • R often begins with “er/uh” → “er-right”

Let the vowel carry you forward.
Don’t start from tension.


Feel Where the Consonant Happens

Build Awareness

  • T, D = tongue tip
  • K, G = back of tongue
  • F, V = lip + teeth
  • P, B, M = both lips

Reveal Tension

Notice if:

  • Your tongue stiffens
  • Your jaw lifts or locks
  • Your throat hardens

Improve Flow

When you understand the movement, you can sing through consonants, not stop for them.


Try This Practice

  1. Speak or sing the word slowly.
  2. Pause before the consonant.
  3. Check:
  • Where does the tongue/lip/jaw go?
  • Am I tensing?
  • Is breath still flowing?
  1. Try a softer articulation or substitution.

Think of consonants as passing shapes, not landing zones.
You’re aiming for resonance continuity.


Case Study: “Brother My Brother”

I have a song called “Brother My Brother” where that exact phrase repeats over and over. It’s emotional, intense, and full of tricky consonants — and it was genuinely hard.

It brought out all the classic tension triggers:

  • Gripping on the B
  • Tightening the tongue on R
  • Punching the TH too aggressively

What Helped:

  • Keeping airflow underneath
  • Practising with lip trills or NG
  • Using lighter consonants

Substitutions that helped:

  • “uh-brother” or “er-other”
  • “m-brother”
  • Softening the B
  • “brudder” (then reintroducing TH gently)

The Process:

  • Speak the phrase on pitch
  • Slide toward singing
  • Let the vowels carry the emotional weight
  • Keep the consonants light and flexible

Final Thought

This work is subtle but transformative.
A tiny shift in one consonant can change your entire vocal experience.

If you suspect consonants are causing tension in your singing:

  • Start with curiosity
  • Explore gently
  • Soften everything
  • Prioritise airflow
  • Let the vowels lead

And if you want to explore this in your songs or voice, I’d love to help you do it. Reach out and say hi!

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Jen May Singing CoachJennifer May, vocal coach and singing teacher, is the founder of ExpressiveVoiceWork®. With over 25 years of experience coaching singing, songwriting, and artistic expression. She holds a BA(Hons)Music and multiple voice and voice training diplomas. Her clients range from award-winning artists (including Brit, Kerrang, and NME award winners) to passionate beginners.

“Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it’s a feather bed.”   ― Terence McKenna

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