How to Craft a Set List: A Guide for Singers & Performers

by | Jun 6, 2024 | Artist Development for Singers

As someone who’s spent a lot of time working with singers and helping them prepare for performances, I’ve learned how much thought goes into crafting the perfect setlist. Whether you’re a seasoned performer or just starting out, balancing your voice, your audience, and your personal expression can feel like a puzzle. In this guide, I’ll share some of the insights I’ve picked up along the way to help you create a set that feels authentic and works for you.

Setting the Scene

When getting your set list together it’s great to consider the context of your gig. What’s the event? Is it an intimate gathering, a high-energy performance, or a casual open mic? The mood of the event can influence your choices, but you don’t have to limit yourself by what’s expected. You might lean into the vibe of the venue, or you might choose to challenge it—either way, it’s about what feels authentic to you.

Who’s in the audience? Are they familiar with your work or is it a group of strangers? Are they there for a relaxed experience, or are they ready for something more intense? Do you care? Answering these questions can helps shape how you engage with your audience. Your performance can shift depending on what you want to communicate.

Structuring the Flow

While there’s no fixed formula for building a setlist, thinking about the flow can help you create an engaging experience. Starting with something energetic can grab attention, followed by a reflective piece to slow things down, then bringing the mood back up later. Striking a balance between different energies is key, but there’s no right or wrong way to approach it.

If you’re feeling spontaneous, experiment with shifting the energy in unexpected ways—trust your instincts.

I remember going to a gig of one of my favourite artists and she sang ballads all night until the last song! It was a bit miserable to be honest but I have great respect for her just doing what she wanted to do. I actually wish artists did this more.

A quick note: the venue will affect how your performance is received. You can choose to let this inform your material—or not. Take PJ Harvey’s first outing in Charmouth Village Hall in 1991: she recalled clearing the hall during the first song, leaving only two people by the end. Brilliant. We’ve all likely been in bands with similar experiences—it’s not always a reflection of your talent.

Accompaniment and Transitions

Your set will also depend on what’s available for accompaniment. Are you playing solo or with a band? A stripped-back setting might suit some songs, while others need a fuller sound to resonate. The arrangement will change the dynamic.

You might like to think about the transition between songs—smooth transitions often work best, but contrasting shifts can be equally effective if that’s your style.

Finding the Right Key

OK, the big one. You’ve recorded your material in the studio, and everything is polished to showcase your voice. But now you’re heading on the road, singing night after night—what about the key?

Your band or manager might want to keep everything as recorded, but the priority should be your vocal comfort. It’s okay to transpose a song if the original key feels out of reach. If you’re uncomfortable, the audience will feel it too.

Pay attention to the sections of the song where you want to sound your best—whether that’s the chorus, bridge, or a specific moment. Make sure the key allows you to hit those moments with power and confidence. Keys always been to be balanced around the songs vibe, your instrument and live situation and obviously you do want your band to understand and be happy.

Protecting Your Voice

While you’re focusing on delivering a powerful performance, it’s essential to keep your voice in mind. It’s easy to get caught up in the excitement, and over perform/strain your voice. So it’s helpful to balance intense songs with quieter, more restful moments.

This is where listening to your body becomes essential—singing should always feel comfortable. If you feel strain, re-balance. Issues often arise when stage sound isn’t well-balanced, or you can’t hear yourself properly. Investing in in-ear monitoring can help, especially in larger venues. (Perhaps skip this if you’re gigging at your local pub!)

The goal is to leave the stage feeling like you gave your all but still have energy to perform again tomorrow.

There Are No Rules

Except one: if it feels good and sounds good, it is good.

Your setlist is a reflection of you. Experiment, explore different energies, and push boundaries if that’s what you feel. Stay true to your unique artistic voice while considering pacing, vocal comfort, and the connection you want to create with your audience.

By balancing what serves your voice, your audience, and your expression, you’ll craft a set that resonates deeply with everyone involved.

If you’d like support shaping your live set, developing your performance, or finding balance between artistry and vocal ease, I offer vocal coaching and artist mentoring in London and worldwide online.

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Jen May Singing CoachJennifer May, vocal coach and singing teacher, is the founder of ExpressiveVoiceWork®. With over 25 years of experience coaching singing, songwriting, and artistic expression. She holds a BA(Hons)Music and multiple voice and voice training diplomas. Her clients range from award-winning artists (including Brit, Kerrang, and NME award winners) to passionate beginners.

“Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it’s a feather bed.”   ― Terence McKenna

Welcome to my space for singers and artists — a place to explore the voice, creativity, and the deeper layers of expression.
I write from my perspective as a vocal coach and artist-development mentor, sharing ideas, techniques, and reflections from inside the work.

If something here moves you, provokes you, or opens a door for your singing, you’re always welcome to reach out.

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