Feeling Rhythm: Groove, Movement and Contemporary Singing

by | Sep 5, 2023 | Vocal Technique for Singers

Embodying Rhythm: The Heartbeat of Contemporary Singing

Singers and singing teacher often focus a great deal on the musical element of pitch. However, there’s a deeper, often overlooked element that serves as the foundation of any great performance: rhythm. Some would argue that rhythm is just as important—if not more so—than pitch, for it’s rhythm that drives the music forward. Rhythm is the heartbeat of a song, setting its pulse, and guiding how we connect with both the music and our fellow musicians.

Why Singers Must Embrace Rhythm

A great singer doesn’t just “sit on top” of the music, but becomes an active part of its groove. We connect with the rhythm section, we listen to the pulse of the drums and bass, and we harmonise not just with our voices, but with the entire rhythm of the piece.

One of the best ways for singers to deepen their connection with rhythm is by physically embodying it. By engaging physically with the rhythm, we internalise its feel—turning it into something that we don’t just sing, but something we live and breathe. If you struggle with this at all I very much encourage you to learn to play a simple hand percussion instrument.

The Importance of Feel and Groove

To truly connect with the music, singers need to master different aspects of rhythm—how to push the beat, sit bang on the beat, or sing just behind the rhythm. This nuanced understanding of how rhythm moves is key to developing authentic groove. Take a listen to the song ‘Hallelujah’ sung by Leonard Cohen, Jeff Buckley and K.D Lang. See how they all experiment with their relationship to the beat differently, making the song their own.

Imagine singing a simple line like “I feel the beat” while physically swaying in time. As your body syncs with the groove, you’re not just singing the words—you’re feeling them, living them. And that translates directly to the audience. Movement is communication, and the more we allow our bodies to move with the music, the more we let go of tension and enter a state of freedom that enhances our vocal delivery.

Moving Your Body to the Beat

One of the most overlooked but important aspects of rhythm is movement. The act of physically embodying the rhythm can’t be overstated. When we sing, we must let our bodies move. It’s not just about swaying to the beat—it’s about trusting the rhythm and allowing it to guide us. If we’re holding still, we’re often holding tension elsewhere in our bodies. This can restrict our breath, cause vocal strain, and generally inhibit our ability to perform at our best.

As a vocalist, when you allow your body to naturally follow the rhythm, your voice will flow more freely. You’ll notice less tension in your jaw, shoulders, and abdomen, and this will translate into a more relaxed and authentic vocal performance.

Tips for Practising Rhythm and Movement

  • Mirror Practice: Stand in front of a mirror while singing. Observe how your body responds to the rhythm. Are you staying rigid, or are you letting the groove move you? Sometimes we don’t realize how much we’re holding back until we see ourselves in the reflection.
  • Engage with Percussion: Consider picking up a simple percussion instrument, like a tambourine or djembe. Practicing rhythm with your hands can deepen your internal sense of time and help you become more attuned to the groove of the music.
  • Take Time to Feel: Spend time listening to different styles of music and focus solely on the rhythm. Can you feel the backbeat? Can you feel how the rhythm section shifts and how it affects your vocal approach?
  • Trust Your Body: Let go of the need to be perfect and allow yourself to feel the music in a relaxed, natural way. The more you do this, the more it will feel second nature.

Conclusion

Singing is not just about hitting the right notes; it’s about creating an experience that connects with both the music and the audience. Rhythm is the heartbeat of that connection. By understanding and internalising the groove, engaging physically with the rhythm, and freeing our bodies from tension, we become not just singers, but vital contributors to the collective energy of the music. So, the next time you step up to sing, remember: feel the rhythm, move with it, and let it carry you into the music.

If you’re exploring rhythm, groove and movement in your singing, I offer expressive voicework, vocal coaching and artist development in London and online worldwide. When you’re ready to feel the music more deeply in your body and voice, you’re welcome to reach out.

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Jen May Singing CoachJennifer May, vocal coach and singing teacher, is the founder of ExpressiveVoiceWork®. With over 25 years of experience coaching singing, songwriting, and artistic expression. She holds a BA(Hons)Music and multiple voice and voice training diplomas. Her clients range from award-winning artists (including Brit, Kerrang, and NME award winners) to passionate beginners.

“Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it’s a feather bed.”   ― Terence McKenna

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