Music Copyright & Royalties (UK) — What You Actually Need to Know

by | Apr 14, 2025 | Uncategorised, Artist Development for Singers


There are two copyrights in every sonG

When you create music, you create:

  1. The songwriting (lyrics + melody)
  2. The recording (the actual audio file)

They are separate in terms of copywrite.

They earn money in different ways.

The SOngwriting

Ok so this is the simple one. Whoever wrote the song gets the copyright automatically. Maybe it’s a shared co-write, in which case you can come to an agreement.

In the UK you don’t need to send your material anywhere to register for copyright. It’s still a good idea to email your song to yourself as some kind of record.


the recording

The recording/copywrite is owned by:

  • The person who pays for the recording
  • or if a producer creates it, they may own it, unless there is an agreement that the recording rights are assigned to you once payment is complete

Whilst this is generally assumed, it’s good to have it in writing.


How royalties work

You earn money when your music is:

  • streamed
  • played on radio
  • performed live
  • used publicly

You can’t track all of this yourself of course. That’s why collection societies exist.


The key organisations

The main collection societies in the UK are:

  • PRS for Music
    Collects money when your songwriting is used publicly
    Pays: 50% songwriter / 50% publisher
  • MCPS
    Collects mechanical royalties (e.g. physical copies, downloads)
  • PPL
    Collects money for the recording being played

These are 3 different things and you need to join these places if you are a songwriter with music that’s played publically. It’s often a one off fee.


Do you need a publisher?

No.

When you join PRS without one, you’re effectively self-publishing and receive the full share.


Do you need a label?

No.

You can:

  • release music
  • collect royalties
  • build income

without one.


If other musicians are on your track

You can register them as performers.

They’ll receive a share through PPL when the recording is played.


Final point

This isn’t about becoming an expert.

It’s about:

  • not losing ownership
  • not missing income
  • understanding how your work pays you

Get the basics right early. 🙂

If you’re looking for some help with your vocals reach out!

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Jen May Singing CoachJennifer May, vocal coach and singing teacher, is the founder of ExpressiveVoiceWork®. With over 25 years of experience coaching singing, songwriting, and artistic expression. She holds a BA(Hons)Music and multiple voice and voice training diplomas. Her clients range from award-winning artists (including Brit, Kerrang, and NME award winners) to passionate beginners.

“Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it’s a feather bed.”   ― Terence McKenna

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